The French music scholar and composer, Albert Lavignac, studied with Antoine François Marmontel, François Benoist and Ambroise Thomas at. Find Albert Lavignac biography and history on AllMusic – Marmontel, Bazin and Benoist were Lavignac’s. Find Albert Lavignac bio, music, credits, awards, & streaming links on AllMusic – Marmontel, Bazin and Benoist were Lavignac’s.
|Published (Last):||17 April 2008|
|PDF File Size:||7.14 Mb|
|ePub File Size:||19.64 Mb|
|Price:||Free* [*Free Regsitration Required]|
The template is intended to be used by the following user groups: Creator templates Albert Lavignac.
Albert Lavignac | Open Music Library
From Wikipedia, the free encyclopedia. Creator template maintenance ; Category: Other properties used by Creator template: Views Read Edit Lavlgnac history. In other projects Wikimedia Commons. In order to modify it please click logo in the template above and modify it there.
This page was last edited on 25 Novemberat If the template above has logo than it is connected to wikidata and all the information displayed in the template which is not specified on Commons is specified on Wikidata. Musicians from Paris births deaths 19th-century classical composers 20th-century classical composers Academics of the Conservatoire de Paris Conservatoire de Paris alumni French classical composers French male classical composers French music educators 19th-century French musicologists 20th-century French musicologists French Romantic composers 19th-century French composers 20th-century French composers.
Creator to construct the infobox.
Galop-marche à huit mains (Lavignac, Albert)
Creator templates based only on Wikidata. Retrieved from ” https: List of music students by teacher: Keyword “autocategorize” will add categories when creator template is transcluded in the home-category.
In Wikipedia Add links.
Retrieved from ” https: To construct Description field: This page was last edited on 5 Februaryat From Wikimedia Commons, the free media repository.
Adding one of those keywords will add those phrases to the author’s name in current language. K to M Albert Lavignac.
It is a superb instrument of lofty dramatic power, which should be reserved for great occasions. This documentation is transcluded from Template: Views View Edit History. It is sufficiently powerful to dominate a whole orchestra and produces an impression of superhuman power